Author – Steve Cavanagh
Published – January 2018
Genre – Legal / Thriller
If you haven’t heard of this book you’ve probably not been on social media this year – not only has there been a concerted campaign to promote the book but I’ve yet to hear a bad word about it. The book is the fourth in the ‘Eddie Flynn’ series and despite not having been a huge fan of Cavanagh’s debut I wanted to see what all the fuss was about.
Things have moved on for Flynn since the end of the first book, but not so much that I felt I didn’t know what was going on. He’s representing small-time clients, sleeping in his office and outsmarting the wrong people. Out of the blue he’s approached by a high-flying lawyer who wants Flynn to join him on a case representing a young Hollywood star, Bobby Solomon, accused of murdering his wife and chief of security. Initially reluctant to become involved Flynn is persuaded that the case isn’t as open and shut as it appears and his meeting with Bobby clinches the deal.
There are two points of view in the story – one is Flynn (in the first person) and the other is a mysterious character (third person) called Kane who is on a no-holds-barred quest that will see his involvement in the courtroom. Swapping between the points of view and knowing what’s happening (without perhaps understanding the purpose) is a great way of making the book compelling – you really want to keep reading to see how things will fit together.
I’m purposely trying to avoid spoilers, this is a book that would be better enjoyed letting it unfold as you read. There are some particularly devious moments and afterwards you do have to wonder how the author came up with them! Flynn remains a likeable character who takes his fair share of knocks – both physical and emotional – but has a decent moral compass. Kane on the other hand, despite being a monster, is depicted as being completely rational, although what’s acceptable behaviour to him isn’t quite the same as it is for the rest of us…
The Defence isn’t the first debut I’ve read where the author tries to pack too much in (and I don’t suppose it will be the last) and you wonder what the author has left themselves with for the future but in Thirteen Cavanagh shows that he can maintain the reader’s interest with fewer threads to the story but really smart plotting of those that remain. I can certainly see shades of early Scott Turow in this book and it’s going to be one to look out for on future awards lists.
Many thanks to the publisher for the NetGalley.