Author – Will Dean
Published – Feb 2018
Genre – Crime fiction
This may be an unpopular point of view so I should say now that if you are one of the huge number of fans of Dark Pines and its hero Tuva then you probably won’t want read my review.
I bought this book for two main reasons, the first being that so many people on social media have raved about how good it is (I should know to manage my expectations better when this happens) and secondly I saw Will Dean on a panel at Crimefest and he was an engaging speaker and made his book sound like one I would enjoy.
Set in Sweden the premise is that a murdered body has been found deep in the snowy forest with its eyes removed – something that harks back to a series of unsolved murders some twenty years ago. Tuva is the (deaf) reporter for the Gavrik Posten, she’s recently moved to the small town from London in order to be closer to her seriously ill mother. For Tuva successful investigative reporting on the murder could be a step up the ladder for her and she drops the more mundane stories that are the usual content for the paper to spend her time investigating the murder.
The occupants of the small group of houses closest to the discovery of the body seem to be the natural suspects for the murder – and what a mixed bunch they are! Tuva concentrates her efforts on these few characters despite the fact that this means travelling into the forest – a struggle for her as she is terrified of nature.
As a character driven crime thriller I wasn’t too keen on Tuva. She is definitely different from other lead characters although she’s playing the recognisable role of an outsider coming into a close-knit community. One of the important distinctions about Tuva over protagonists in other books is that she’s deaf, which didn’t perhaps have as much impact on the story as I would have expected – I thought the author would have made more use of it in, for example, being able to lip read. The downside to the deafness was a seeming fixation in making sure that the reader didn’t forget and one of the few occasions where the deafness gave her an extra insight (the possible impact on a young boy of a noise others can’t hear) she did nothing.
The repetitive nature of the care of her hearing aids, the repetitive descriptions of driving up and down the same piece of road and some of the extraneous parts of the story that didn’t really seem to go anywhere, things that could have been red herrings but were never explained, all made me think this was more an attempt to write ‘literary’ crime fiction rather than ‘thrilling’ crime fiction. While I like my crime fiction to be well written I do want it to thrill!
Told in the first person the story was atmospheric and tense but there was also a lot of Tuva’s angst which I didn’t feel much sympathy for. She makes some poor choices that put her at greater risk than she needs to be and there a number of moments where, as a reader, I found her actions very frustrating. She’s been driven to live where she does, somewhere she doesn’t like, because of her intention to be on hand for her mother but when push comes to shove she puts her job first which felt like an inconsistency.
While this is an atmospheric thriller with the feel and pace of ‘nordic noir’ there were too many things I didn’t like about it and without spoiling the story for anyone who hasn’t yet read it I think there is at least one plot hole that detracted from the story.