Crime

Out of Bounds – Val McDermid

Title – Out of Bounds

Author – Val McDermid

Published – 26 Jan 2017 (paperback)

Genre – Crime fiction

Goodness – it’s been so long I may have forgotten how to do this! I’m only picking up with a short review anyway because I’m not sure that a writer like Val McDermid is desperately in need of one more blog review of one of her books. As such a huge name in crime writing and sales of over 15 million books I’m not sure that I can add anything new. In fact this leads to a question for publishers with ‘big name’ authors – if you are paying for huge advertising campaigns for your leading authors do you send review copies to bloggers because they are essential to the marketing plan or because to not do so would make people wonder why? Not one I expect to get an answer to!

Anyway – the book. This is the second of Val’s books that I have read. The first was in the Tony Jordan series and while I enjoyed it I couldn’t get past the mental images I had from the TV series. However the author wanted me to see the characters, my view was shaped by what I had already seen, so I don’t think it was a fair reflection of the books. This book, however, is in the ‘Karen Pirie’ series – number four if these things matter to you.

There are a few different stories and investigations that Karen (DCI Karen Pirie, head of Police Scotland’s Historic Crimes Unit) become involved in. The first is when the DNA from a teenage joyrider is linked to a murder twenty two years previously. It is an unusual angle to take the DNA and then unravel the story and I do enjoy a more ‘forensics led’ crime story.

Then a chance discussion about the death of a man that might or might not have been suicide intrigues Karen, especially when she finds out that the man’s mother was murdered years ago in a suspected terrorist explosion. As if she doesn’t have enough to keep her occupied Karen is drawn into trying to solve the cold case.

Karen makes for an interesting lead character – damaged, as seems to be a prerequisite, but also realistically drawn. We see a very positive and human side to her as she tries to help some Syrian refugees to improve their situation. If there is any way in which I felt at a disadvantage by coming in at the fourth book in the series it’s in having a better understanding of her, I think it would have liked to have know more of her backstory – in no way a criticism of the book.

I can see why Val McDermid is such a bestselling crime fiction author – the book is unpretentious but gives the reader a multi-thread plot line with a mix of forensic and character-led aspects. If you’re not a regular reader of the genre there is plenty to interest you and no gimmicks to put you off.

Thank you to the publisher for the review copy.

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In the Month of the Midnight Sun – Cecilia Ekbäck

Title – In the Month of the Midnight Sun

Author – Cecilia Ekbäck

Published – June 2016

Genre – Historical crime fiction

I was so taken with Wolf Winter that I treated myself to In the Month of the Midnight Sun when it came out in June last year (which shows you how far behind I am!).

Similar to some of the books by Anita Shreve, using the same location for a story in different times, Ekbäck returns to Blackåsen Mountain.  In this case we move from 1717 in Wolf Winter to 1856. On the mountain a Sami woman has left her tribe following the death of her husband, while the local settlers are puzzled by this but they have bigger worries as a Sami man has carried out a fatal attack in their rectory.

In Stockholm The State Minister of Justice instructs geologist Magnus to head to the area to investigate the attack. The Minster’s interest is purely bureaucratic, concerned that the sale of land in the area may be jeopardised. Magnus has some personal issues which he should deal with but perhaps prefers to avoid these by agreeing to the trip. The Minister is also Magnus’s adoptive father, so when at the last minute he is forced to have his sister-in-law, Lovisa, accompany him he is unable to argue against it. The two travellers set out for the long journey to Lulea with Lovisa withdrawn and uncommunicative and unprepared for what lies ahead.

The journey sees the relationship thaw a little and we find out more of the backstory of the two characters, and as the story switches between points of view (in the first person so you need to pay attention) we also learn more about those living in the shadow of the mountain. When eventually they reach Lulea and Magnus meets the man accused of the murders he doesn’t believe  he is the killer and knows that the only answer is to travel onwards to the Blackåsen Mountain.

Despite the broad, sweeping landscapes and the midnight sun this has a very claustrophobic feel and a very varied cast of characters with some unique voices. There is a hint of the supernatural in the lives of the Sami and the same battle with the elements that those in Wolf Winter faced. But essentially the story is about the people.

If you appreciate beautifully written, atmospheric crime fiction with a literary style then you really should try these books.

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The Templar’s Last Secret – Martin Walker

Title – The Templar’s Last Secret

Author – Martin Walker

Published – June 2017

Genre – Crime fiction

This is the tenth in the ‘Bruno, Chief of Police’ series of books and although I haven’t read all of the series it certainly seems to be the case that Walker isn’t losing his way as time moves on.

For me these books are a sort of ‘aspirational crime fiction’. Who wouldn’t want to be living in the countryside of the Périgord, riding horses, meeting up and cooking with friends – all accompanied by Balzac the basset hound. Despite the setting the situations do manage to echo the darkness of the ‘outside world’ which keeps the books topical but with the execution still keeping to the cosier side of crime fiction. All done without the getting the feeling that the circumstances are stretching credibility.

This latest title in the series is a great combination of the old and the new. The book opens with the discovery of the body of a woman outside a cave beneath the ruined Templar chateau of Commarque. The woman’s death re-opens debate over a centuries-old mystery concerning hidden treasure. This, as well as the forthcoming marriage of Bruno’s friends, two professional archaeologists, allows Walker to explore the history of the area and the Templars. (I have to confess that some of the background did feel a bit unnecessary.)

During the course of the investigation Bruno has a Ministry of Justice bureaucrat foisted on him who intends to carry out a time and motion study to better understand how he works with the locals and the gendarmes. The situation isn’t as bad as it may seem as Amélie has an exotic background, a dress style not often seen in the area and a singing voice that gains her more than a few admirers. Her character acts as a bit of a sidekick to Bruno and she becomes involved in his investigations, with the important task of demonstrating the power of social media.

Bruno’s investigations do, however, lead to a very modern problem. This involves a more traditional investigation which is eventually headed up by the mysterious Brigadier from Paris as well as a face from Bruno’s past.

Another enjoyable read in the series with the mix of domestic tranquility, police investigations, a race against time situation, historical background and very topical issues. And I can’t be the only person who has gone on to google the region to find out more about it after reading one of Walker’s books!

Many thanks to the publisher for the review copy.

The Black Friar

Title – The Black Friar

Author – S. G. MacLean

Published – October 2016

Genre – Historical fiction

My intention is to crack on today and catch up on my reviews. Although I’ve been too busy to ‘blog’ I’ve been reading as much as ever so I have quite a stack of books to get through.

First up is The Black Friar, which came in the post from the publisher last year. This is the first book I’ve read in the series but the blurb tells me that this is the second in the Damian Seeker series and that the first book in the series (The Seeker) won the CWA Historical Dagger in 2015. In fact The Black Friar made it to this year’s Historical Dagger longest but sadly didn’t go through on the shortlist.

The book is set in London in 1655 – the time of Cromwell as Lord Protector. This is a time of unrest and there are many trying to challenge Cromwell; Seeker, as Captain of Cromwell’s Guard, has his hands full trying to stem this tide, so it’s surprising when he takes an interest in the body of a friar discovered in the walls of the Black Friar’s monastery. Behind the mystery of the dead friar, however, is a link to the spies in Cromwell’s service and as Seeker tries to find out more about the dead man he becomes involved in trying to find out why children have been disappearing. The story is told against the backdrop of the political machinations that are trying to uphold Cromwell’s authority against the undercurrent of dissent.

I really liked Seeker – he may be feared and have the power to make people cross the street, or even empty a coffee house, but he is still charming and has a sense of decency and justice that gives his character more depth. It was interesting to see the author drawing on real-life characters who walked the corridors of power (Samuel Pepys, Andrew Marvel) which did pique my interest in the period, probably more than just purely fictional characters would have done.

This was a gripping tale of espionage with a more conventional mystery to be solved too. There plotting was complex and pleasantly devious The historical detail felt well-researched and certainly provided an immersive experience of the period. The book definitely worked without having read the previous title but I shall make a point read more in the series.

Many thanks to the publisher for the review copy.

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The Paris Winter – Imogen Robertson

Title – The Paris Winter

Author – Imogen Robertson

Published – 2013

Genre – Historical fiction

Our move West and a sustained busy period at work means that although I am still reading at the rate of around a book a week (call myself a blogger!!) I’m struggling to find the time to review what I’ve read and that is a real shame. I seem to have, in the process, dropped off the lists for a number of publishers, so while I never received a huge amount of ‘book post’ my average is now just one or two books a month. Which means that I’ve got the opportunity to catch up on some books that I have had waiting on the TBR for some considerable time – and this book at 3 or 4 years is by no means the longest!

Out of necessity I will post some shorter reviews but I hope that I still manage to do justice to some of the really enjoyable books I’ve read so far this year.

I picked up The Paris Winter as an antidote to a run of gripping but gritty contemporary crime fiction. The book was shortlisted for the CWA Ellis Peter Historical Dagger, losing out to The Scent of Death by Andrew Taylor. The setting is Paris, 1909, and Maud Heighton is a young English woman learning to paint at Lafond’s famous Academie. While many in Paris are enjoying the Belle Epoque it can be a difficult time for the women studying away from their families and the death of a fellow student throws Maud’s poverty into sharp relief. Rescue seems to be offered through the intervention of one of the models and a glamorous Russian; with their help Maud is employed by a young man to act as companion to his vulnerable sister.

What appears to be a lifeline for Maud is anything but. It soon becomes clear that not all is as it seems and their world of luxury hides a dark secret. I don’t really want to give anything away because I enjoyed how events played out and how Maud’s future became entangled with theirs. As the story progresses the characters of Yvette, the model and Tanya, the wealthy Russian are fleshed out and between the two we see the polar opposites of those enjoying the delights of Paris.

I loved the setting, both in terms of period and location, and the art school backdrop brought back memories of a number of books I enjoyed which featured The Slade in London. It’s beautifully written and the author made the book really immersive – getting off the train after I’d put it down I would wonder why I was in London, why it wasn’t snowing… I liked the characters, a mix of woman who showed strength but in different ways and without becoming caricatures and a plot that didn’t take the reader into the realms of the implausible.

If you enjoy historical fiction with a criminal leaning then you should add this to your TBR.

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Stasi Wolf – David Young

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Title – Stasi Wolf

Author – David Young

Published – Feb 2017

Genre – Crime fiction

I reviewed David Young’s debut, Stasi Child, in October 2015 and in 2016 it was the winner of the CWA Endeavour Historical Dagger – a great feat for a debut. So what’s the sequel like I hear you ask – any ‘second novel’ issues? I have to say that I think Stasi Wolf is the better of the two books.

Following the end of Stasi Child Karin Müller has been sidelined from her activities in the Berlin murder squad and separated from her old partner. Which means that when she is offered another job which will involved the interference of the Stasi she still accepts it. The assignment sees her sent to Halle-Neustadt, a new ‘city’ created in 1967 and known as City of the Chemistry Workers it was one of the largest construction projects on post-war Germany.

ADN-ZB Lehmann 30.4.82 Halle: Fast 100.000 Einwohner zählt heute die Chemiearbeiterstadt Halle-Neustadt. Überwiegend Werktätige aus den Chemiekombinaten Leuna und Buna sowie aus anderen Großbetrieben sind hier zu Hause. Neben modernen und komfortablen Wohnhäusern prägen Sozial-, Kultur-, Sport- und Dienstleistungseinrichtungen das Bild von Halle-Neustadt.

Halle-Neustadt

The case she is sent to investigate, set in 1975, is the disappearance of twin babies. Of course in a city that is the pride of the communist state the Stasi are keen to control how far the team is allowed to publicise the case and who they are able to question about it. As ever, Karin is determined to find justice and her empathy with the parents of the missing babies helps to drive her to find a resolution. She has to work with and despite the Stasi and the team of local police who initiated the investigation.

As a possible clue to the case there are some passages, set in the past, which are narrated by a character who the reader can’t necessarily identify but they are obviously key to the mystery.

This book felt as if it dwelt less on the comparisons of the free West versus the East and more on the new world that the Eastern German citizens were being offered. It’s clear from the descriptions that this isn’t perhaps all that it’s cracked up to be and this isn’t what the leaders would want the populace to think but from Karin’s perspective you get a feeling for both points of view.

One aspect I was curious about was Karin’s husband. In Stasi Child it felt as if there was more to his relocation than perhaps Karin knew but that was only lightly hinted at here. What we did find out was more about Karin’s own backstory and specifically an incident as a small child and the loss of her best friend.

As with the preceding novel the author brings the atmosphere of the post-war setting without filling the narrative with too much detail. It certainly conveys the claustrophobic feeling of living in an environment where the wrong word or emotion can lead to no end of trouble.

The resolution perhaps relies a little more on coincidence than I would like but it is satisfying regardless of that. Although it can be hard to judge when you have read the preceding book, I don’t think you would feel you were missing out if you read this book without reading Stasi Child first.

A great follow-up to an award-winning debut, this is shaping up to be a series well worth reading. Many thanks to the publisher for the review copy. You can see another point to view on Kate’s blog – For Winter Nights.

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Paula Daly and her writing process

The Trophy Child by Paula Daly, her fifth novel, was published on 26 Jan. A mix of domestic / psychological thriller and police procedural, in a similar vein to Eva Dolan’s Watch Her Disappear it explores the internal pressures within a family and the dark side that can be hidden behind a perfect facade.

As part of the blog tour Paula talks about her writing process.

I’m often asked about my writing process. Not so much about where the ideas themselves come from, but how I go about shaping those ideas, how I go about actually writing a novel.

I can understand the curiosity. When I first started writing it was the one thing I wanted to know. I read lots of books on how to write, how to write a novel, how to write a thriller, a crime novel. I watched endless YouTube videos of authors explaining how they went about their work, creative writing teachers extolling their methods, other writers at the same stage as me, sharing what they’d learned so far.

What was clear was that there were many ways to tackle writing a novel. You can come at it from lots of different angles and still arrive at the same end point. Some writers don’t plan at all and are happy to get what Anne Lamott calls the ‘shitty first draft’ down fast, and then revise the manuscript until it’s ready. Others plan meticulously. A lot of writers do both.

I used to write freely. As in, I had no idea where I was going and I let the plot take me where it wanted it to. Trouble was, I ended up with three unpublished novels as a result. So I decided to try planning instead and I’ve stuck with that process ever since. I realise now that I need to know what I’m writing towards or I’ll go off at crazy tangents and waste a lot of time. And I find writing hard. Getting the words down on paper is not easy for me. So I don’t want to have to delete whole chapters when I’ve got it wrong.

So, once I’ve got an idea for a book, I sit on it for a while. I know when it’s a good idea because I get excited about it. And other ideas seem to start flooding in and ‘sticking’ to that original idea, making it better, more interesting, adding layers.

Then I research. Researching is great because it throws up more ideas for your plot. Often, I can actually begin to fashion a story out of what I discover during the research period. Then I start to write down ideas for scenes. Nothing concrete, just things that I think would be cool to write about, or would maybe surprise the reader, because they’d not seen something done in that way before. Once that’s done, I organise the scene list, and list of ideas, into something coherent that resembles a proper plot. This again takes practice. Structuring a novel is where most people stumble and it wasn’t until I read lots of books and articles about structure that I finally cracked it.

Eventually I’m ready to write. After around three to four months of planning, I’m ready to write Chapter One. It is the scariest moment for me because so much of what happens in my books is rooted in that first chapter. So I have to get it right.

I write seven hundred words a day (it used to be a thousand but I’m limited by back pain now) until the book is done. I edit as I go along, something that a lot of writers don’t do because it stops them from finishing the book. But I have to edit as I go as it’s the only way I understand what I’m writing about, and it’s how I keep track of my story and my characters. When the thing is finished it doesn’t need much of an edit as I’ve been through it over and over by then. Maybe just a day or two tidying up last bits and pieces before it’s ready to go out to my editors.

Then I send it off and I pray.

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