Title – The Photographer
Author – Craig Robertson
Published – 25 Jan 2018
Genre – Crime
I don’t think it’s any secret that I am a fan of Craig Roberton’s writing due to his mix of gritty Glaswegian crime fiction, ability to weave in multiple plotlines and of course his very readable prose. This is the seventh book in the series featuring DI Rachel Narey and her partner, ex-police photographer Tony Winter and it’s made for a cracking start to the year.
In this case “The Photographer” isn’t Winter but a particularly violent rapist who has kept dozens and dozens of candid photographs of young women. Potentially his victims – of course, admissible in court and available to the police – of course not!
Unusually we start without much in the way of doubt about who the perpetrator is and he’s quickly brought to the attention of the police. Initially unaware of the scale of his crimes Narey’s trip to court draws a lot of public attention and this spills over into her family’s private life when she is the subject of a hate campaign via social media. Unsuccessful in the prosecution of the man, Narey becomes aware of more victims but discovering that some have disappeared gives the story a ‘race against time’ aspect. Winter receives some help from an unidentified source which allows him to pursue his own investigation and, as you would expect, he sails close to the wind.
This is less graphic than previous books but rape is a tricky subject regardless of who is writing about it. The attacks are described in enough detail that the reader can understand the terror of the women, and the violence of the assault, but there is nothing gratuitous. The development of the victims’s characters offers an insight to the aftermath – those who crumble and those who rise above it to become more of a crusader for the rest.
It feels like it’s in this book that the author has really found the perfect balance with the series. The split of story between the two main characters (not forgetting Uncle Danny), the fact that their relationship is more settled, perhaps less violence, or at least less gore than previous books and a resolution that I was happy with – there’s nothing to criticise. As with the recent books in the series the topics are ‘cutting edge’ tackling issues you can see in the news any evening of the week. And one aspect that I must mention is Robertson’s turn of phrase – there are moments where it’s a pure joy to read, not something you can always say about crime fiction!
A great instalment in the series, many thanks to the publisher for the NetGalley.