Author – William Shaw
Published – May 2018
Genre – Crime fiction
My favourite ‘sub-genre’ of crime fiction is the traditional UK police procedural and over the past few months I’ve read a few of these – Salt Lane is the first review up but to follow is the 7th McAvoy novel by David Mark and the second DC Childs by Sarah Ward. I know not everyone is a fan of this type of series but I like the conventional framework that the procedural uses, the feeling of seeing behind the scenes and the framework usually provides a resolution towards the end- something important to me in crime fiction.
Within the sub-genre there are obviously different approaches to the story, the involvement of external characters (both within the police and outside) and the treatment of the main detective / policeman – are they painted as a maverick and/or with a drink problem, rocky personal life etc. etc? Modern crime fiction shows this isn’t always a given and the characters can be more nuanced. Although William Shaw’s lead detective in Salt Lane is actually anything but.
Introduced in The Birdwatcher, DS Alexandra Cupidi is new to the Kent area having transferred from London, the reason being the subject of gossip in the police station. She’s quite a character – forceful, not backwards at coming forwards, dogged, determined, somewhat lacking in grace and finesse and perhaps a little lonely.
There are a number of threads to the story but the opening one with a case of mistaken identity was intriguing. There are two main investigations, one following the discovery of an unidentified woman in a watery grave close to the Salt Lane of the title. The other is the death of a young man in a farm’s slurry pit, beaten before his death, his age and appearance leading the investigation towards illegal immigrants and then on to the possibilities of people-smuggling, drugs and groups of migrant workers. As the two main plots unfold the potential connections between events becomes apparent and not in a way I could have guessed at. The investigations are a team effort and special mention must go to her colleague Constable Ferriter who provides quite a contrast to Cupidi’s character.
This is a perfect example of crime fiction helping to illuminate an issue that most readers might not be aware of (I’m not going to say which issue it is). It’s achieved by ‘showing’ during the course of the story rather than a lot of ‘telling’ in explanation and I think this helps to bring the issues to life for the reader. As with The Birdwatcher the sense of place is captured really effectively and as well as being atmospheric the landscape also plays an important part in the story.
Despite the quite domestic setting there are plenty of action sequences and tension in the plot and some quite thrilling chase sequences across the Kent landscape. Someone’s poor judgement in one of the earlier action sequences adds to the mix by prompting an internal investigation so there really is plenty going on.
Cupidi’s personal life is fleshed out and her relationships with her daughter and her mother play an important part in the book, providing some of the drama as well as filling out some of Cupidi’s backstory.
I did enjoy the contrast of Cupidi and the irascible William South in The Birdwatcher and that’s perhaps what, if anything, I was missing in this book. While Cupidi is a great main character and there were other colleagues and family members who populated the book they didn’t provide the same sharp contrast that South did.
A really enjoyable read.