Author – Rhiannon Ward
Published – 20 August 2020
Genre – Historical crime fiction
While I’ve not suffered the lack of interest in reading that others found during lockdown I have found that the change to my routine has made my blogging even more sporadic than normal. Somehow over the last few years I’ve gone from 50 or 60 posts a year to only 12 so far in 2020 but the latest book from Rhiannon (Sarah) Ward has prompted me to get back to the keyboard.
I had intended getting my blog post out in time for the publication date but it’s taken longer to write than I planned as I’ve deleted around 400 words and started again.
Not only is there a change of name for the author but also a change of publisher and genre (as Sarah Ward she is the author of four DC Childs novels) although keeping the crime/mystery element this is a move to an historical setting – the main part of the story being taking place in 1925.
Louisa is a photographer asked by her employer to travel to Clewer Hall in Sussex, where she is to photograph the contents of the house for auction before the family move to India. She is surprised by the commission but with a baby on the way she’s keen to take the opportunity to earn some extra money. When she arrives she finds that the house is literally falling apart and its inhabitants seemed to be damaged or weighed down with grief; it’s a dark and tense atmosphere that she’s not comfortable with. She discovers that during her stay at the house an event is planned to recreate an infamous seance that originally took place in 1896.
The setting is atmospheric and there is an underlying tension which builds through the story as the secrets of the house and family are revealed. There is a lot of grief and loss in the book, something which Louisa herself is no stranger to, and this is magnified by the decay of the surroundings and the limited cast of characters.
Louisa makes a great lead, she has some modern sensibilities but the author couches these within the constraints of the period. I was fascinated both by the details around the photographic process of the period as well as those around the everyday lives of the house’s occupants. I have to wonder how on earth you can research these tiny details – if they were made up then they were very convincing!
It’s one of those oddities of publishing that I was sitting in the garden in a heatwave reading this dark and chilling mystery – it will make a great read when the nights draw in. A gothic mystery set in a dilapidated country house with a strong female lead, a mysterious child and a cameo appearance by Sir Arthur Conan Doyle – what more could you ask for?
Many thanks to the publisher for the NetGalley.