Author – Elizabeth Haynes
Published – 28 July 2016
Genre – Psychological thriller
Elizabeth Haynes’ debut, Into The Darkest Corner, remains the book by which I judge all other psychological thrillers – the tension she creates in that book is what most other authors who choose that genre can only aspire to. Since her debut there have been two further thrillers and she has started a police procedural series, all of which I have enjoyed, so I was thrilled to be offered the chance to review her newest title.
Sarah is a widow living with her two dogs in a farmhouse on the Yorkshire Moors. With some financial difficulties and suffering a little from ’empty nest’ syndrome she offers to let an old friend, Aiden, stay in the cottage across from her house. It’s a spur of the moment offer as she hasn’t seen Aiden in a long time.
The story moves slowly with the rekindling of the friendship between Aiden and Sarah against the backdrop of her domestic life. Told from three slightly different perspectives – Sarah’s, Aiden’s (which is in the second person), and interspersed with fragments that are unattributed – adding another layer of mystery. It becomes clear that everyone has secrets but the masterly way the story develops means that you’re kept guessing.
Part of the fascination with the story is the relationship between Sarah and Aiden. Although they were close when at University they haven’t seen each other in more recent years and there was some sort of falling out that involved Sarah’s husband who was a mutual friend. This all means that the two characters are trying to feel their way through the new situation and understand how things stand between them. They both appear to have regrets about the past but it’s not clear how they want things to develop.
Something I should also mention is that there’s a
decent amount of sex involved – the relationships are central to the story so this isn’t gratuitous but there is possibly more than readers of the genre might expect.
I thought Sarah was a fabulous leading character and a very credible one which seems to be particularly unusual in a psychological thriller. So often the leading lady can be a caricature rather than realistic, and frequently they’re unsympathetic. I really liked Sarah, though, and when things got tough there was no doubt who I was rooting for. I think developing the characters in this way is one of Haynes’ strengths – the more you care about them the more the you’re drawn in and the more effective the tension. The final denouement didn’t disappoint either – remaining all too believable.
I thoroughly enjoyed this and it was one of those books that may sound cliched to describe as ‘unputdownable’ but once I had started I read it at every opportunity. Coincidentally I see that, like Into The Darkest Corner, this also started during NaNoWriMo – something that seems to be a winning formula. With a small cast of characters, a remote location and a severe snowstorm the gripping story ramps up to a thrilling climax. Scandi noir eat your heart out!
Many thanks to the publisher for the review copy.